ECLIPSE 
ECLIPSE 
ECLIPSE 
ECLIPSE 
ECLIPSE 
ECLIPSE 
ECLIPSE 
ECLIPSE 
ECLIPSE 
ECLIPSE 
ECLIPSE 
ECLIPSE 

High End Fashion Label

Bmpcc6K Pro / Anamorphic Lens / Aputure 300D With Barn Doors

Only one key light was used for most setups, handheld tracking for fluid motion in darkness.

Silas Row (Cinematographer) / Naya Tan (Model)

Cinematic / Silhouette / Fashion / Contrast

(Process)

THE
THE
THE
THE
THE
THE
THE
THE
THE
THE
THE
THE
SCOPE
SCOPE
SCOPE
SCOPE
SCOPE
SCOPE
SCOPE
SCOPE
SCOPE
SCOPE
SCOPE
SCOPE
Natural eclipse lighting, profiles only. Minimal fill light for shadow retention.

(Process)

CAD &
CAD &
CAD &
CAD &
CAD &
CAD &
CAD &
CAD &
CAD &
CAD &
CAD &
CAD &
TOOLING
TOOLING
TOOLING
TOOLING
TOOLING
TOOLING
TOOLING
TOOLING
TOOLING
TOOLING
TOOLING
TOOLING
We wanted the subjects to be seen not as forms, but as outlines—style in essence, not in detail.

(Processing )

ANIMATION &
ANIMATION &
ANIMATION &
ANIMATION &
ANIMATION &
ANIMATION &
ANIMATION &
ANIMATION &
ANIMATION &
ANIMATION &
ANIMATION &
ANIMATION &
BLOCK OUT
BLOCK OUT
BLOCK OUT
BLOCK OUT
BLOCK OUT
BLOCK OUT
BLOCK OUT
BLOCK OUT
BLOCK OUT
BLOCK OUT
BLOCK OUT
BLOCK OUT
Crushed blacks, anamorphic distortion preserved, lens flares accentuated

(Process)

FX &
FX &
FX &
FX &
FX &
FX &
FX &
FX &
FX &
FX &
FX &
FX &
ATTRIBUTES
ATTRIBUTES
ATTRIBUTES
ATTRIBUTES
ATTRIBUTES
ATTRIBUTES
ATTRIBUTES
ATTRIBUTES
ATTRIBUTES
ATTRIBUTES
ATTRIBUTES
ATTRIBUTES

(Process)

PROCEDURAL
PROCEDURAL
PROCEDURAL
PROCEDURAL
PROCEDURAL
PROCEDURAL
PROCEDURAL
PROCEDURAL
PROCEDURAL
PROCEDURAL
PROCEDURAL
PROCEDURAL
ENVIRONMENTS
ENVIRONMENTS
ENVIRONMENTS
ENVIRONMENTS
ENVIRONMENTS
ENVIRONMENTS
ENVIRONMENTS
ENVIRONMENTS
ENVIRONMENTS
ENVIRONMENTS
ENVIRONMENTS
ENVIRONMENTS

(Process)

RENDERING &
RENDERING &
RENDERING &
RENDERING &
RENDERING &
RENDERING &
RENDERING &
RENDERING &
RENDERING &
RENDERING &
RENDERING &
RENDERING &
COMPOSITING
COMPOSITING
COMPOSITING
COMPOSITING
COMPOSITING
COMPOSITING
COMPOSITING
COMPOSITING
COMPOSITING
COMPOSITING
COMPOSITING
COMPOSITING

(Process)

FINAL
FINAL
FINAL
FINAL
FINAL
FINAL
FINAL
FINAL
TAKEWAYS
TAKEWAYS
TAKEWAYS
TAKEWAYS
TAKEWAYS
TAKEWAYS
TAKEWAYS
TAKEWAYS
FINAL
FINAL
FINAL
FINAL
FINAL
FINAL
FINAL
FINAL
TAKEAWAY
TAKEAWAY
TAKEAWAY
TAKEAWAY
TAKEAWAY
TAKEAWAY
TAKEAWAY
TAKEAWAY
LETS CUT
LETS CUT
LETS CUT
LETS CUT
TROUGH THE NOISE
TROUGH THE NOISE
TROUGH THE NOISE
TROUGH THE NOISE

© 2026 CCCtrlX. All Rights Reserved.

LETS CUT
LETS CUT
LETS CUT
LETS CUT
TROUGH THE NOISE
TROUGH THE NOISE
TROUGH THE NOISE
TROUGH THE NOISE

© 2026 CCCtrlX. All Rights Reserved.

LETS CUT
LETS CUT
LETS CUT
LETS CUT
TROUGH THE NOISE
TROUGH THE NOISE
TROUGH THE NOISE
TROUGH THE NOISE

© 2026 CCCtrlX. All Rights Reserved.